Mark S. Doss grew up next to a church rectory and was able to observe the kindness of the priests… Read more Mark S. Doss: Performing Opera, the Culmination of All the Arts
Then there are difficulties with societal perceptions. “It seems like every few months, someone publishes a new article about how opera is dying,” said Perrault. “I can see how people come to that conclusion, especially with the culture we live in now. Everything is instantaneous. Opera is hard. It’s a difficult art form to consume. Even for people in it, it is challenging. For one, it often takes a lot longer to say things when they are sung. You have to be patient. The story takes a little longer to unfold. If you don’t know the language the opera is being sung in, or even if you do, you have to rely on translations projected above the stage. It takes a little more work than sitting in front of the TV. But because of all of that, it’s rewarding. Because things take longer to say and because the story takes longer to unfold, it builds a greater sense of dramatic tension, and the payoff is greater. You get to experience stunningly gorgeous musical expressions of human emotion that words alone can’t convey.”
While the opera blogosphere is full of good writing, Christine Sacchi wants her niche to be writing for those who may not be musical experts or even opera fans. She wants to discuss things in a way that’s interesting to the aficionado while accessible to the curious. “I’d like to be a bridge between normal people and the world of opera,” Sacchi shared. “I want to appeal to the avid fan as well as the first time opera goer.”
Ruby Allain only turned five at the end of April, but she’s already making her mark as an artist.
“We all hang out together in our one big room and share supplies,” explained her mom, Morgan. “The bookmark thing started because when Danny and I have to cut down paper, there’s usually an inch left over.”
In 2015, Toris-Silva found princess companies in New Jersey and developed a plan to introduce the princesses on the train. “I didn’t know what to do, so I saw there were companies in New Jersey that did this and reached out to them,” shared Toris-Silva, who was able to offer the companies a mixture of financial payment and marketing through the museum and the events they attended. “It worked out well for them. They agreed to that and were able to secure events from that. Due to the popularity, we decided to try a non-moving event at the museum, which was a tea party that takes place in an antique train car. It sold out in nine hours. We added a second weekend just for the demand.”
“My responsibility as an artist is to think as creatively and outside the box as possible,” Elizabeth Kinahan shared. “That skill of visual art is valuable to other people. That is where I struggled the longest–in seeing there is value in painting pictures. He was powerful in teaching me a lot about that. He would say, ‘Let’s walk around town and go into the shops and see what art they have up. If they don’t have art up, we can say, wouldn’t it be nice if you had art on your walls? We’re artists. We can put some art up. And if it sells, we can give you 10-15% of that piece.’ I said, ‘That’s crazy. We can’t do it.’ He said, ‘Nope, let’s go.’ We got our art up all over the place.”
After ten years, Ken Webb began to realize he couldn’t stay at his job for another 35 years. “It was a decent job, but wasn’t too fulfilling,” he admitted. “It all came together at some point over the period of a few years that I wasn’t content and happy doing the daily grind that I saw people doing of getting up and punching the clock. … I was slowly doing more art as a side hobby and that was the direction I wanted to go. It was pretty difficult leaving a pretty secure job for something I didn’t know how to make a living at.”